selections from

back on the streets

This series references inside/outside, physically and metaphorically: portraits of East Village and Los Angeles artist friends posed outdoors amidst the moneyed corridors of Wall Street in Back on the Streets (1982-85).

Selections of this work were included in New Museum Senior Curator, Dan Cameron’s exhibition East Village USA (first historical survey, December 2004 - March 2005) and first exhibited at Gracie Mansion Gallery.

“Hope Sandrow is extremely innovative in her use of the camera.  Her carefully conceived compositions are chosen moments of a fleeting instance of motion, expression, light, location, and her own camera’s eye of perspective. Sandrow rigorously considers the multiple variations and qualities of all the picture’s elements; apparent spontaneity is but an effect of her craft. The primary concern of her portraits is hardly a resemblance to the subject for there is scarcely any, save on a remotely psychological level.  The figure is a movable object, and compositionally related to the geometry, space, and emotional atmosphere of its contextual environment.”

— Carlo McCormick

See the exhibition and press list at the bottom of the page.

SOLO EXHIBITIONS (selected)

1985 Hope Sandrow Back on the Streets Zero One Gallery, Los Angeles

Hope Sandrow Back on the Streets Greathouse Gallery, NYC

GROUP EXHIBITIONS (selected)

1982 The Famous Show included Hope Sandrow’s Back on the Streets, Nicolas Mouferrage, Keith Haring, and Lenny Futura at Gracie Mansion Gallery, curated by Gracie Mansion.

1985 The Discovery of America Wessel/O'Connor, Rome, Italy

East Village at the Au/Centre, Saidye Bronfman Center, Montreal, Canada

Three New York Artists, Vivianne Esters, Paris, France

East Village Sampler curated by Gracie Mansion, Jones Troyer Gallery, DC February

Knock Knock Who’s There, Gracie Mansion Gallery,  May

London Art Fair, The London, Olympia England

Recommendations 85 curated by Stacey Teele Kamikaze, Jan 

East Infection curated by Carlo McCormick Zero One Gallery, LA March

1984 *Neo York curated by Phyllis Plous and Mary Looker, University Art Museum, University of California at Santa Barbara California

Cologne Art Fair, Cologne, West Germany 

*East Village Art in Berlin Zellermayer Galerie, Berlin, 1984

Zurich Art Fair, Zurich Switzerland

Climbing: The East Village, curated by Carlo McCormick, Hal Bromm Gallery Jan  7 Feb 4

*Investigations: Face to Face, curated by Paula Marincola, Institute of Contemporary Art Philadelphia, PA repro

The New Portrait, curated by Jeffrey Deitch, P.S.1, Long Island City, NY.

New Galleries of the Lower East Side, curated by Helene Winer, Artists Space  NYC.

Limbo, curated by Walter Robinson and Carlo McCormick, MOMA/PS1 

New Romance, curated by Regina Trapp, New Math Gallery, NYC Nov

Chill Out, curated by Steve Kaplan, Kenkeleba Gallery NYC 

Romance & Catastrophe, curated by Regina Trapp and Michael Kohn, Zelle-Meyer Gallery  Berlin

Antipasto, curated by John Wessel and Billy O’Connor, Kamikaze NY  

Girls Night, curated by Stacey Teele, Kamikzaze NYC 

Salon Oggi Domani, curated by T. Greathouse 

Salon Des Artistes, Gracie Mansion Gallery

Portraits, curated by Mario Fernandez and Nina Seigenfeld, New Math Gallery 

Judy Rifka Girls Book, curated by Rich Colicchio Gallery, 51X NYC 

Gallery Artists, T. Greathouse, June - July

Post Contemporary Art, curated by Gracie Mansion, Gracie Mansion Gallery  October 

Portraits, curated by Gracie Mansion, Gracie Mansion Gallery July 

Vote, curated by Paul Smith, ABC No Rio 

Conspiracies, curated by Michael Limbo, Limbo Gallery

Note: an asterisk denotes that a catalogue accompanies the exhibition.

PRESS: (selected)

Carlo McCormick and Walter Robinson, Slouching Toward Avenue D, Art in America, Summer 1984, pp.151 repro

Photographs by Hope Sandrow, Appearances, Fall 1984 repro

Betsy Sussler, The Americas, Art, Poetry, Fiction, Film, Bomb, Spring 1984, p.48 repro

Nicolas Moufarrege, The Year After, Flash Art, Summer 1984, p.55

Nicolas Coleman, Urban Textures, Washington Post, January 1, 1985, p.B7 repro

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toward the baroque: the hirshhorn museum (1986)

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men on the streets (1978-84)